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Morality is neither rational nor absolute nor natural. World has known many moral systems, each of which advances claims universality; all moral systems are therefore particular, serving a specific purpose for their propagators or creators, and enforcing a certain regime that disciplines human beings for social life by narrowing our perspectives and limiting our horizons
— Friedrich Nietzsche (via its-ideology-stupid)

Dan Adams

Dan Adams

(via an-itinerant-poet)

Poetry leads to the same place as all forms of eroticism — to the blending and fusion of separate objects. It leads us to eternity, it leads us to death, and through death to continuity. Poetry is eternity; the sun matched with the sea.
Georges Bataille | Death and Sensuality (via indigenousdialogues)

(via hsaptus)

bblacha:

Borneo Mask, Indai-Guru Mask, Borneo, Iban Dayak 
Wood, Polychrome, 14” Tall

bblacha:

Borneo Mask, Indai-Guru Mask, Borneo, Iban Dayak 

Wood, Polychrome, 14” Tall

We don’t forget, but something vacant settles in us.
— Roland Barthes, Mourning Diary (via toniiu)

(via invisiblestories)

showmethe-monet:

Frida Kahlo, Me and My Parrots, 1941.

showmethe-monet:

Frida Kahlo, Me and My Parrots, 1941.

(via historiceyes)


Amedeo Modigliani, Jeanne Hebuterne with Hat and Necklace, c. 1917

Amedeo Modigliani, Jeanne Hebuterne with Hat and Necklace, c. 1917

(via historiceyes)

concretesandtrees:
Yiannis Tsaroychis, Dionysus, drunk, 1972

concretesandtrees:

Yiannis Tsaroychis, Dionysus, drunk, 1972

Algimantas Kunčius

Algimantas Kunčius

(via akirak)

zealotry: This space that you have created is flawless.

free-parking:

The first page of Vladimir Nabokov’s English copy of The Metamorphosis by Franz Kafka

free-parking:

The first page of Vladimir Nabokov’s English copy of The Metamorphosis by Franz Kafka


Peter Vilhelm Ilsted, “En hvid Stol”, The White Chair, 1915.

Peter Vilhelm Ilsted, “En hvid Stol”, The White Chair, 1915.

(via almawinemiller)

blue-voids:

Otto Piene - Schwarze Sonne, smoke and charcoal on canvas, 1962-63

blue-voids:

Otto Piene - Schwarze Sonne, smoke and charcoal on canvas, 1962-63

free-parking:

Andy Warhol’s MoMA Rejection Letter, 1956

free-parking:

Andy Warhol’s MoMA Rejection Letter, 1956

blue-voids:

Ji Sub Jeong - Untitled, 2012

[on tumblr]

THEME BY PARTI