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vguiscard:
Henri Matisse, The Piano Lesson, 1916

vguiscard:

Henri Matisse, The Piano Lesson, 1916
loverofbeauty:

Jean Cocteau reading

loverofbeauty:

Jean Cocteau reading

When religion, science, and morality are shaken (the last by the strong hand of Nietzsche) and when outer supports threaten to fall, man withdraws his gaze from externals and turns it inwards. Literature, music and art are the most sensitive spheres in which the spiritual revolution makes itself felt. They reflect the dark picture of the present time and show the importance of what was at first only a little point of light noticed by the few.
Wassily Kandinsky, Concerning the Spiritual in Art

Egon Schiele, Mother and Child, 1908.

Egon Schiele, Mother and Child, 1908.

german-expressionists:

Edvard Munch, The Four Sons of Dr. Linde, 1903

german-expressionists:

Edvard Munch, The Four Sons of Dr. Linde, 1903

blastedheath:

William Nicholson (English, 1872-1949), The Lustre Bowl, 1911. Oil on canvas, 55 x 60 cm. Scottish National Gallery of Modern Art, Edinburgh.
lyghtmylife:

Raffaellino del Garbo, [Italian Early Renaissance Painter, ca.1466-1524], Portrait of a Young Man, c. 1495. Tempera on poplar panel, 42 x 32 cm. Staatliche Museen, Berlin

lyghtmylife:

Raffaellino del Garbo, [Italian Early Renaissance Painter, ca.1466-1524], Portrait of a Young Man, c. 1495. Tempera on poplar panel, 42 x 32 cm. Staatliche Museen, Berlin

sporadicq:

‘Humanistic Book of Hieroglyphs’ This book was probably intended for presentation to Henry VII as a companion volume to the Tabula Cebetis (nearby). It contains a mysterious text known as the Hieroglyphica, believed to be an ancient Greek translation of an Egyptian text. The present manuscript is the earliest illustrated copy of this work and includes a series of hieroglyphic emblems. The image here depicts a crown and sword and the inscription below praises the monarch as the preserver of justice and the guardian of peace. Filippo Alberici?, Hieroglyphica and Emblematic Inscriptions Paris, c. 1507 Owned by Prince Henry Frederick Royal 12 C. iii, f. 20 © The British Library Board

sporadicq:

‘Humanistic Book of Hieroglyphs’
This book was probably intended for presentation to Henry VII as a companion volume to the Tabula Cebetis (nearby). It contains a mysterious text known as the Hieroglyphica, believed to be an ancient Greek translation of an Egyptian text. The present manuscript is the earliest illustrated copy of this work and includes a series of hieroglyphic emblems. The image here depicts a crown and sword and the inscription below praises the monarch as the preserver of justice and the guardian of peace.
Filippo Alberici?, Hieroglyphica and Emblematic Inscriptions
Paris, c. 1507
Owned by Prince Henry Frederick
Royal 12 C. iii, f. 20
© The British Library Board

sporadicq:

Images from the 18th century manuscript on alchemy Clavis Artis, attributed to Zoroaster. Biblioteca dell’Accademia Nazionale dei Lincei, Roma. (Source)

impartart:

Benozzo Gozzoli, Dream of the Innocent Three and the Confirmation of the Rule, c. 1452

impartart:

Benozzo Gozzoli, Dream of the Innocent Three and the Confirmation of the Rule, c. 1452

The world is already constituted, but also never completely constituted; in the first case we are acted upon, in the second we are open to an infinite number of possibilities…. There is, therefore, never determinism and never absolute choice, I am never a thing and never bare consciousness.
— Maurice Merleau-Ponty, Phenomenology of Perception (via doubtlr)

(via doubtlr)

bofransson:

Georges Braque, Still life with flowers, 1945.

bofransson:

Georges Braque, Still life with flowers, 1945.

darksilenceinsuburbia:

Christian Holstad. Defending Decisions, 2005. Pencil on newspaper, 13 x 18 cm.

darksilenceinsuburbia:

Christian Holstad. Defending Decisions, 2005. Pencil on newspaper, 13 x 18 cm.

doubtlr:

Maurice Blanchot, The Space of Literature

(Image: Gilbert Garcin)

thisisblackwhite:

Diane Arbus - Three Circus Ballerinas

thisisblackwhite:

Diane Arbus - Three Circus Ballerinas

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